Keith Jarrett's My Song – I Really Shouldn't Be Liking This Album
In the pantheon of modern jazz, few live recordings have achieved the ethereal balance of intimacy, lyricism, and telepathic interplay found on Keith Jarrett’s My Song . Released originally in 1978, the album marked the definitive arrival of Jarrett’s European Quartet featuring saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. But for the digital audiophile, the 2015 reissue—specifically the high-resolution transfer—is not merely a listening session; it is an archeological excavation of a singular night in Oslo, Norway.
A joyous, gospel-and-country-flavored piece that returns to Jarrett’s American roots. The high dynamic range (DR) of the 2015 FLAC file allows the joyful swells of the band to bloom naturally. When Jarrett leans into the keys during his solo, the transient response is instantaneous and explosive. 5. Mandala
The most energetic and avant-garde track on the album, featuring rapid-fire transient attacks.
Jan Erik Kongshaug, a legendary figure known for defining the "ECM Sound". Musical Style: Keith Jarrett - My Song -2015- -FLAC 24-192-
I can also provide a comparison of this album to another of Jarrett’s notable works, such as "The Köln Concert", if that interests you.
Essential for any serious jazz or audiophile library. Seek the legitimate download from HDTracks, Qobuz, or ECM’s own store. Your ears—and the ghosts of Oslo—will thank you.
The melody is almost too familiar, but listen to Jarrett’s left hand. The 24-192 transfer reveals the felt of the hammers on the lower register. Garbarek enters not from the center, but slightly left-rear in the soundstage—a phantom image that collapses into perfect clarity. The bass pizzicato notes have a bloom that decays naturally into the studio ambiance (Talent Studio, Oslo).
The 2015 high-resolution digital reissue program sought to transfer these delicate analog master tapes into the digital domain without the compression or brickwall limiting that marred many 1990s and 2000s CD remasters. By archiving the tapes at 24-bit depth and a 192kHz sampling rate, ECM aimed to capture the exact voltage fluctuations of the original tape heads, preserving the microscopic transient details of the session. Track-by-Track Audiophile Analysis 1. "Quest" Keith Jarrett's My Song – I Really Shouldn't
The album by Keith Jarrett , specifically the 2015 High-Resolution (FLAC 24-bit/192 kHz) reissue, represents a landmark high-fidelity release of one of jazz's most celebrated recordings. Originally released in June 1978 on the ECM Records label, it is the second studio effort by Jarrett’s renowned "European Quartet" . Album Overview and Personnel
The Norwegian master delivering a piercing, icy, yet deeply emotional tone.
While Keith Jarrett was concurrently leading his "American Quartet" (featuring Dewey Redman and Charlie Haden), he formed a contrasting ensemble with three Scandinavian masters that would become known as the European Quartet: Piano and percussion. Jan Garbarek : Tenor and soprano saxophones. Palle Danielsson : Double bass. Jon Christensen: Drums.
A high-performance DAC featuring asynchronous USB processing is vital to eliminate jitter and properly convert the 24-bit architecture without downsampling. The anchoring force
The Norwegian drummer treating the kit like an abstract rhythm paintbrush. Track Analysis: Engineering the High-Res Soundstage
So, does a 2015 24-bit/192kHz FLAC file matter?
The anchoring force, providing deep, melodic counterpoint and a robust rhythmic foundation.
: A sharp departure from the album's general calm, leaning into hard bop and free jazz territory with "chaotic madness" that tests the resolution of high-end systems.
A folk-like melody that relies heavily on Jan Garbarek’s curved soprano saxophone.