| No. | Title | Producer(s) | Length | | :--- | :--- | :--- | :--- | | 1 | The Kennel (Skit) | — | 0:36 | | 2 | One More Road To Cross | Swizz Beatz | 4:20 | | 3 | The Professional | P. Killer Trackz | 3:35 | | 4 | Fame | DJ Shok | 3:37 | | 5 | Alot To Learn (Skit) | — | 0:40 | | 6 | Here We Go Again | P. Killer Trackz | 3:53 | | 7 | Party Up (Up in Here) | Swizz Beatz | 4:29 | | 8 | Make A Move | Nokio | 3:34 | | 9 | What These Bitches Want (feat. Sisqó) | Nokio | 4:13 | | 10 | What's My Name? | Irv Gotti | 3:52 | | 11 | More 2 A Song | Swizz Beatz | 3:42 | | 12 | Don't You Ever | P. Killer Trackz | 3:48 | | 13 | The Shakedown (Skit) | — | 0:35 | | 14 | D-X-L (Hard White) (feat. The Lox & Drag-On) | Self | 4:22 | | 15 | Comin' For Ya | P. Killer Trackz | 4:02 | | 16 | Prayer III | — | 2:00 | | 17 | Angel (feat. Regina Bell) | P. Killer Trackz | 5:07 | | 18 | Good Girls, Bad Guys (feat. Dyme) | P. Killer Trackz | 3:53 |
While maintaining his signature "aggressive" delivery, this project leaned toward a more radio-friendly and polished sound
Featuring smooth vocals from Sisqó, this track showed DMX’s storytelling ability regarding relationships and fame, listing off the names of various women in a famous, rhythmic cadence.
The night took his words without comment and, for once, didn't ask for a price. When he left, Marcus felt lighter, not because the world had changed, but because he'd given it a shape it could hold. dmx and then there was x zip free
The year was 1999, and the hip-hop world was on the cusp of a new era. Rappers like Jay-Z, Nas, and The Notorious B.I.G. were dominating the charts, but a new voice was about to emerge. Enter DMX, a young rapper from Mount Vernon, New York, who was ready to take the game by storm.
I’m not sure what you mean by “dmx and then there was x zip free: put together a complete feature.” I’ll assume you want a complete feature/article/tracklist about DMX’s posthumous compilation/mixtape titled “And Then There Was X (Zip Free)” or a hypothetical release named like that. I’ll produce a concise, polished feature covering background, tracklist, production notes, credits, and release/marketing plan. If you meant something else, tell me and I’ll adapt.
Note: Accessing music through official streaming channels ensures the highest quality audio and supports the artists’ estate. Tracklist Highlights "What's My Name?" "What These Bitches Want" (feat. Sisqó) "Party Up (Up in Here)" "Coming From" (feat. Mary J. Blige) Conclusion: A Timeless Album Killer Trackz | 3:53 | | 7 |
Born Earl Simmons on December 18, 1970, DMX grew up in a tumultuous household in Mount Vernon. He found solace in hip-hop at an early age, becoming fascinated with the culture and eventually starting to rap. DMX's early career was marked by stints in various hip-hop groups, including Kuffs the Slug and DMX, a moniker he adopted as his stage name.
So, what made "...And Then There Was X" such a masterpiece? For starters, the production was top-notch. DMX worked with top producers like Swizz Beatz, Timbaland, and Chris "The Glove" Taylor to create a sonic landscape that was both dark and infectious.
: For collectors, original CD copies and vinyl reissues of ...And Then There Was X can be found through online music retailers. Killer Trackz | 3:48 | | 13 |
"And Then There Was X" marked DMX's third studio album, but it was his major-label debut and the one that brought him mainstream success. The album was released on December 21, 1999, and debuted at number one on the Billboard 200 chart, selling over 610,000 copies in its first week. The album spawned several hit singles, including "Ruff Ryders' Anthem", "X Gon' Give It to Ya", and "What's My Name?". The album's success can be attributed to DMX's unique blend of aggressive, emotive lyrics and a distinctive, raspy flow.
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...And Then There Was X debuted at number one on the Billboard 200, selling nearly 700,000 copies in its first week alone. It went on to be certified 5× Platinum by the RIAA. The album successfully balanced DMX’s signature griminess with mainstream accessibility, largely thanks to the production genius of Swizz Beatz, Dame Grease, and the Irv Gotti-led Murder Inc. camp.
In the early 1990s, DMX started performing in local rap battles and freestyle sessions. He gained recognition in the New York City hip-hop scene, eventually catching the attention of Def Jam Recordings.
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