: Due to its explicit content, it has historically appeared on restricted media lists, such as the Australian Classification adult-edited tapes. Taboo VII: The Wild and the Innocent (Video 1989) - IMDb
Upon its release, Taboo VII: The Wild and the Innocent received widespread attention within the adult film community. Critics and audiences alike praised the film for its bold storytelling, impressive performances, and high production values. The film's success can be attributed to its ability to balance entertainment with artistic merit, making it a standout title in the adult film genre.
Taboo VII: The Wild and the Innocent is a 1989 adult film directed by Kirdy Stevens (credited) and Peter Perry Jr.
When the Blu-ray Forum broke down the timeline, they noted that while the original films in the series were shot on celluloid film, “Taboo VII” was shot on film—but that’s because it was a film from 1980, not a video from 1989. This is why the movie has absolutely nothing to do with incest; it was never meant to be a “Taboo” film in the first place. It is literally “Taboo VII in name only”. : Due to its explicit content, it has
The footage has been digitized from a rare, pristine LaserDisc or a first-generation VHS master tape, bypassing the heavy tracking lines and audio degradation common in older digital rips.
: The opening bookshop song is widely described as unsexy and strange.
Unlike its predecessors, which leaned heavily into then-shocking family dynamics, Taboo VII takes a surprising turn toward rural-gothic melodrama. The surviving promotional materials describe it as: The film's success can be attributed to its
If this post has speculative or incomplete details, it’s because the truth about this enigmatic work is shrouded in ambiguity. Let’s turn that into a conversation!
As the 1990s approached, the industry pivoted sharply toward decentralized, scene-specific "gonzo" content, making structured features like Taboo VII some of the last of their kind. Today, the film is viewed as a prime example of late-80s adult melodrama, preserving the specific aesthetic, style, and cultural anxieties of its time.
The most interesting feature of Taboo VII: The Wild and the Innocent (1989) This is why the movie has absolutely nothing
: It serves as a time capsule for 1989 fashion and social attitudes.
, an uninhibited artist known for her unconventional "body painting" using water balloons. Musical Element:
From its opening scene, Taboo VII: The Wild and the Innocent makes it painfully clear that it is not a "Taboo" film in any traditional sense. The film is a radical departure, a complete rebooting of the franchise's premise. As one reviewer on Letterboxd bluntly puts it, the series "finally jumps the shark" with this entry. The Wild and the Innocent is, for all intents and purposes, a "straight up reboot".
For years, collectors of obscure late-80s cinema have whispered about a missing chapter in the infamous Taboo series. While the Taboo name is most associated with adult film history (particularly the groundbreaking 1980 original), the later numerical entries drifted into a fog of bootleg VHS, unreleased cuts, and lost distribution rights.