Roman Ingarden The Literary Work Of Art Pdf !new!

Long before Wolfgang Iser or Stanley Fish, Ingarden argued that the reader actively co-creates the aesthetic object. Iser explicitly borrowed the concept of Leerstellen (gaps) from Ingarden.

If you are downloading a PDF of The Literary Work of Art for a course in literary theory, your syllabus will undoubtedly focus on Ingarden's concept of .

The reader performs by filling in these gaps. This explains why two people can read the same book and "see" different things. The work itself remains a schema, while the concretization is the individual experience of that work. Polyphony and Aesthetic Value

Roman Witold Ingarden (1893–1970) was a Polish philosopher. As one of Edmund Husserl's best students, he was a key figure in phenomenology, a philosophical school of thought focused on the structures of human consciousness. However, Ingarden famously rejected his mentor's turn toward , developing a realist ontology that argued for the existence of a world independent of our perception. roman ingarden the literary work of art pdf

This is the ultimate layer of the text: the fictional world itself. It contains the characters, their psychological states, the plots, the historical settings, and the events that unfold.

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This is the physical, phonetic layer. It’s the rhythm, the rhyme, and the "melody" of the language. Long before Wolfgang Iser or Stanley Fish, Ingarden

Derrida, J. (1980). Writing and Difference. University of Chicago Press.

Words form sentences, and sentences form meaning. Ingarden emphasizes that sentences in literature are not purely logical assertions (like a scientific textbook). Instead, they are "quasi-judgments." They create a self-contained world of meaning rather than pointing directly to verifiable facts in our actual reality. This layer gives the text its intellectual core and narrative logic. 3. The Layer of Schematized Aspects

+-------------------------------------------------------+ | THE POLYPHONIC HARMONY OF THE TEXT | +-------------------------------------------------------+ | Stratum 1: Word Sounds & Phonetic Material | | Stratum 2: Meaning Units & Conceptual Framework | | Stratum 3: Schematized Aspects (Sensory Outlines) | | Stratum 4: Represented Objectivities (The World) | +-------------------------------------------------------+ Spots of Indeterminacy and Concretization The reader performs by filling in these gaps

This is the foundational, sensory layer of literature. It consists of the specific sounds of words, the rhythm of sentences, and the auditory texture of the language. Even when reading silently, our minds register the musicality, harshness, or cadence of the prose. This layer establishes the atmosphere and linguistic style of the work. 2. The Layer of Meaning Units

Once you secure the PDF, do not read it like a novel. Ingarden’s style is systematic, repetitive, and Germanically rigorous. Here is a survival strategy:

To explain how this unique object functions, Ingarden broke the literary work down into four structurally co-dependent strata (layers). The Four Strata of the Literary Work