True crime aesthetics, sugar daddies, toxic infatuation, fame, death, and high-society tragedy. 4. The Ultraviolence Blues & Rock Demos (2013–2014)
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The vault continues to leak periodically, often referred to by fans as "Leakmas". Some notable mentions include:
Lana Del Rey has one of the most prolific vaults in music history, with an estimated leaked or discovered over her decade-plus career . These songs span her various artistic eras—from her early folk days as May Jailer and Lizzy Grant to high-production outtakes from Born to Die and Ultraviolence . The "Big Three" Fan Favorites
The sheer volume of Lana Del Rey's unreleased music is staggering, with estimates suggesting there are more than 300 demos, covers, and alternate versions in circulation. Within this archive, certain tracks have risen above the rest, becoming legendary in the fan community. Songs like "Serial Killer," "Queen of Disaster," "Jealous Girl," "Hundred Dollar Bill," and "You Can Be The Boss" are frequently cited as some of her most beloved works, despite (or perhaps because of) their unofficial status.
Before Elizabeth Grant became Lana Del Rey, she was a relentless songwriter navigating the New York City indie scene. Operating under various pseudonyms—including Lizzy Grant, Sparkle Jump Rope Queen, and May Jailer—she recorded hundreds of demos. Lana Del Rey - Unreleased Tracks
The most significant artifact from this period is the demo album Sirens , recorded in 2006 under the name May Jailer . Composed entirely of acoustic tracks, Sirens is a raw and intimate affair, devoid of the hip-hop beats and electronic flourishes that would later define her major-label debut Born to Die . Featuring songs like the haunting "A Star for Nick" and the melancholic "Junky Pride," this album showcases a young artist deeply influenced by folk and singer-songwriter traditions, with some critics likening its sound to Jewel's debut, Pieces of You .
Distorted guitars, heavy reverbs, slow-tempo blues chords, and smoky, live-recorded vocals.
This era bridges the gap between acoustic folk and the glamorous, tragic "Hollywood sadcore" persona. Recording as Lizzy Grant, she began working with producer David Kahne. This collaboration resulted in her first shelved or poorly distributed projects, including the Kill Kill EP and the eventual Lana Del Ray A.K.A. Lizzy Grant album, which was briefly released but quickly pulled from digital shelves.
If you want to understand Lana's subversion of the 1950s housewife trope, listen to this. Over a lurching, bluesy guitar riff, she sings with a breathy, childish pout about committing adultery and shooting her lover. It is vulgar, hilarious, and brilliant. The line "He's a loser, he's a user / I'm his baby, he's my king" sums up her entire artistic thesis.
This ever-evolving archive ensures that the narrative of Lana Del Rey is never static. It is co-authored by the artist herself, by the dedicated fans who champion her most obscure work, and by the complex digital ecosystem that allows these rare gems to surface and sometimes even find their way into the official spotlight. The sheer volume of her unreleased work, estimated to contain enough songs for at least five full albums, has arguably played a significant role in cultivating her mythical aura and solidifying her legacy as one of the most prolific and intriguing songwriters of her generation. Share public link The vault continues to leak
They show the raw, unpolished beginnings of her poetic, narrative songwriting style.
Hollywood glamour, sugar daddies, fast cars, and destructive relationships. 3. The Ultraviolence Outtakes (2013–2014)
While many of these tracks are officially protected by copyright, they frequently circulate through: SoundCloud Spotify Playlists
24 Mar 2025 — * the_word_hurricane. • 1y ago. boarding school. Alternative_Set4996. ... * Davidiscool222. • 1y ago. Maha Maha. Remylovesu. ... * Reddit·r/lanadelrey
These tracks have amassed millions of streams on platforms like SoundCloud and YouTube, despite lacking the traditional support of marketing teams or streaming playlists. For many fans, this underground archive is where Lana’s most authentic, unfiltered self lives. The "Big Three" Fan Favorites The sheer volume
The phenomenon of Lana Del Rey - Unreleased Tracks is more than just a collection of music. It is a parallel discography that charts the journey of an artist. From the acoustic simplicity of to the complex, cinematic outtakes of the Ultraviolence sessions, these songs offer a raw, unfiltered connection to Lana that her polished studio albums sometimes mask.
Many high-energy pop and trip-hop influenced tracks, such as "Kinda Outta Luck" and "You Can Be The Boss," were recorded during this period but ultimately cut.
: Another staple of her live performances, this track features Del Rey in full command, delivering a commanding and sultry vocal performance over a minimalist beat .
A "disco-infused" track originally written for another artist, which later gained massive popularity as a leaked fan favorite.
